Happy new year

Thanks to all of you who’ve followed the blog, been in touch on Facebook or Twitter, posted reviews on Goodreads or elsewhere, and (or) read Act of Faith.

For my next trick, I’ll be doing edits on the sequel over the next few weeks, but we’ll have to wait a while to see it in print. Should be out around August.

In the meantime, have a great summer holiday (or winter reading spell, if you’re in the northern hemisphere) and I look forward to another busy year ahead.

2013. Already? Didn’t see that coming.

Cheers,

K

Lately I’ve been…

Rather quiet, haven’t I?

That’s because I’ve being going through the living hell that is moving house.

But now we’re in, if not unpacked, and still edging our way through rooms crowded with boxes – mostly containing books (I don’t know where they all came from and I still don’t understand how they’re all going to fit in the new house).

I’m in Sydney this morning, having come up for the NSW Premier’s Literary Awards, in which Act of Faith was shortlisted for the aptly named Ethel Turner prize for young adult fiction.

And what a shortlist. The other books on it were:

  • Bill Condon, A Straight Line to My Heart (Allen & Unwin)
  • Ursula Dubosarsky, The Golden Day (Allen & Unwin)
  • Scot Gardner, The Dead I Know (Allen & Unwin)
  • Penni Russon, Only Ever Always (Allen & Unwin)
  • Vikki Wakefield, All I Ever Wanted (Text).

I was thrilled and a little amazed to see my book listed alongside those titles. The beautiful Only Ever Always won the Award, and we all dined and felt terribly glamorous in the beautiful Mitchell Reading Room at the State Library of NSW.

Editing has begun on The Sultan’s Eyes, work on the cover design is quite advanced, and I should have the manuscript back to look over the edits in a couple of weeks. What happens then is that I check and recheck, then the changes are made and the editors check it all again, it gets typeset, then we all check it again. And possibly again. By which point we’re all thoroughly sick of the thing and don’t want to see it until it arrives in a box with a picture on the front.

In the meantime, it’s back to focusing on La Maupin and academic conference papers, and a hectic time at work, before taking a summer break in which I intend to read a whole lot of books that have nothing to do with the seventeenth century.

Except I can’t help wondering what would happen if Isabella Hawkins returned to Cromwell’s London…

 

Coming up

I’m reading work in progress at Bespoken this week: Thursday 25 October at 7.30 at Hares and Hyenas bookshop in Johnston St, Fitzroy.

I’ll read a couple of chapters from Tragédie. Tom Cho and Daniel G Taylor are also reading from their work. Should be a great night.

More info and bookings  here.

After that I’m laying low for a few weeks so I can move house and recover from all this month’s major deadlines and get ready for next month’s deadlines.

I’ve finished writing the sequel to Act of Faith – it’s called The Sultan’s Eyes and it’s with the publisher. I’ve even seen a few rough designs for covers, so things are rocketing along.

Rather quickly.

Big week, big news

First: Act of Faith is on the shortlist for the Gold Inky in Australia’s teen reader choice awards. That’s a lovely surprise, because the shortlist is chosen by an independent panel largely composed of young readers, along with (this year) book blogger Danielle Binks and last year’s Gold Inky winner, James Maloney. It’s also a great honour to be shortlisted along with:

  • Shift by Em Bailey
  • Night Beach by Kirsty Eagar
  • Queen of the Night by Leanne Hall
  • The Reluctant Hallelujah by Gabrielle Williams.

More information – and voting form – on insideadog. I should tell you to vote for me but really, with that list, vote for whoever you like.

I can also announce that the Swashbuckler books are now available as ebooks from all the major retailers, which is great news because copies can be hard to find in print nowadays. More information on sources from HarperCollins.

Almost a Logie

Was very chuffed to hear that Act of Faith made it onto the Gold Inky longlist this year. It’s a great honour. A sensational list, too.

Congratulations to everyone on the Gold and Silver longlists. And long live Inky!

Image

I must say I’m quite partial to an awards sticker nowadays. Last week I signed a whole lot of copies of Act of Faith with their new silver CBCA Notables stickers on the covers. Very posh. Although I do rather fancy the idea of a silk sash. With gold fringes. Not for me, you understand. But Signora Contarini would love it.

Multifunction machines

Remember the fax? Remember how amazing it was that you could expect an answer from someone anywhere in the country (let alone overseas) within 24 hours? Wow.

Who owns a fax now? Talk about instant obsolescence. I haven’t sent a fax in years, and if I ever have, it’s been from my desktop PC or from a machine that is really a printer and photocopier.

I have an ereader. An early model Kobo. It doesn’t do anything fancy. You just read stuff.

When I say “early model”, I mean it’s about three years old. Maybe four. And it’s already gone the way of the fax machine, because almost immediately after it came out, the new ranges of ereaders and the tablets appeared, on which you can not only read stuff but also highlight, annotate, flick pages, interact, play music, and make toast. Well, maybe not the toast, but that’s not far off.

I should get a new ereader or a tablet, I know. But I waver between early adopter and conservative purchaser. I like that my Kobo isn’t backlit, because after a day of staring at a screen it gives my eyes a rest. I also have a little netbook instead of a tablet, because what I mostly do is type, and there are things about an iPad that don’t suit me and my needs. Yet.

It’s clear to me that the tablets, ereaders and netbooks are in a transitional phase, and as a poverty-stricken writer (well, not quite, but I’m only on a part-time wage) I don’t upgrade my hardware every year or so just to keep up.

So I’m happy to wait for the next round of devices that bring those elements together properly. It’s not far away. Just this week, Kobo has announced a partnership with Google Play to provide access to apps and games though its Vox tablet. And Microsoft is expected to announce a deal with Barnes and Noble melding the Xbox and an ereader/tablet. There are already millions of book and literacy apps for iPad/iPhone and Android that explore new territories in interactive reading and gaming.

But apart from the reading devices and platforms, one of the issues that I think is huge for publishing and for writers is the issue of territorial rights in the  digital era. The sector has been (rightly) banging on endlessly about royalty percentages and the impact of digital on what is often more about printing – not publishing as such. I’ve long thought that the real impact on publishing models would be on rights.

Traditionally, a publisher buys the rights to a book for specific regions such as the US, UK, or Australia/New Zealand – or world rights, with translations into languages other than the original being dealt with separately. But digital publishing makes a nonsense of territories. Who cares what rights you’ve bought or sold, when readers can order your ebook from any retailer they prefer, based anywhere in the world?

And now one of my publishers, HarperCollins, has announced a new venture called HarperCollins360, which aims to “make each HC title available in all English-language markets, when the necessary rights are held”.

I don’t know yet what the business model is, what it means for existing contracts. I don’t know how much will be based on POD (print on demand) and ebooks, which could threaten some authors’ deals for territories other than their own. Every transnational publisher must be thinking along similar lines, and that may hold implications for smaller local publishers which work the international rights deals. So there will be many issues to thrash out in the industry, and I’m sure the Australian Society of Authors, agents, SPUNC and others will be right in there.

But I do know I’ve been held back in the past from being distributed in some key markets because of territorial rights – the Swashbuckler books, for example, couldn’t be sold in Malta, where they are set, because Malta is technically part of the UK territory, and HarperCollins UK didn’t have rights to publish them. I’ve always wondered whether India and the many Asian countries with large English-speaking populations are under-developed markets for Australian writers. Everyone gets so focused on selling into the US and UK – but what about Canada and South Africa? I can see great possibilities in a more global approach. It makes sense, and also helps break down all those subconscious post-colonial obsessions with approval from the mother country or the Americans. Haven’t made it unless you’ve got a review in the New York Times? How about the Times of India?

So, as with ereaders, I’ll be watching and reading and talking and keeping up to date – and possibly waiting for the dust to settle. Will I be an early adopter or a conservative? We’ll see.

Coming up

I’m heading off today to present a couple of workshops, as part of the Emerging Writers’ Festival, on social media for writers and readers. Looking forward to it, too, because it combines the two distinct parts of my life: my day job, which is all about online learning and training people in the web; and my writing self.

Late next week I return to Brisbane for the second part of my May Gibbs Children’s Literature Foundation fellowship, to start work on the redraft of The Sultan’s Eyes and also to run workshops as a writer in residence at the State Library of Queensland. Most of the workshops are for schools, but there are a couple of public sessions for younger readers/writers on Words that changed the world – subversive books and the forces that tried to stop them.

I can talk about that stuff for hours. And no doubt will.