I’m delighted to announce that The Sultan’s Eyes is out in the US in December 2018, courtesy of HarperCollins.
I wish I could send every book out into the world with the Preface from Act of Faith, and I suppose in some ways I do:
This book you hold is a treasure, of sorts, as is every book I have ever known.
I have made it for you – especially you – for reasons you will understand as my words unfurl before your eyes.
Turn these pages tenderly.
You hold my life in your hands.
Praise for The Sultan’s Eyes:
“Through the eyes of the books’ impulsive and curious heroine … readers experience everyday life in the seventeenth century first in Venice, then in the capital of the Ottoman Empire. In addition to being an amusing and gripping adventure story, this ambitious novel also discusses questions of gender inequality, religion, philosophy, and politics.”
– International Youth Library, White Ravens 2014
There’s too much to this story – too much to remember, too much to explain. I will write it down, and I will write it down in English. There must be a record. So much depends, as I have discovered, on things that are written down on paper.
Paula Morris, Rangatira – a novel on the life of Paratene Te Manu.
There’s been nary a day in the past decade that I haven’t had to set someone straight about the fact that I wrote my books for people, not women. My female colleagues report much of the same. We swap stories and shake our heads and laugh, but it isn’t funny. Because when an artist has to assert that her intended audience is all humans rather than those who happen to be of her particular gender or race, what she’s actually having to assert is the breadth and depth of her own humanity.
– Cheryl Strayed, on gender bias in fiction, in the New York Times.
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
– Ursula LeGuin
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story.
– John Steinbeck