Things are getting serious. After years of researching the Blitz and the Great Fire of London, I have deadlines now for the three volumes of The Firewatcher Chronicles.
I was in Denmark and London over the last couple of weeks (initially for a conference), happily researching Vikings and Anglo-Saxons (Book 2 in the trilogy) and then more Great Fire (Book 1) and Romans and Iceni (Book 3).
After two weeks of sore feet, aching legs, bursting brain and wide eyes, I hope I now have filled enough knowledge gaps to keep the writing going.
But, as you know, I enjoy the research and it keeps my mind firing and filled with new ideas, as well as those telling details that we need to make the fiction come alive.
I also managed to sort out a few remaining practical details for Grace, my work on the meeting between Grace O’Malley and Elizabeth 1. I spent several days in the British Library, and an inspiring day in the Women’s Library at the London School of Economics, which holds suffragette Vida Goldstein’s papers – for one of my other projects, Sisterhood. So many projects! But research time in places such as London is rare and precious, and we have to make the most of it.
Mind you, I seem to have visited London every year for the past few years, but I’d never been to Denmark before and I loved every moment. Viking ships, great museums and libraries, beautiful cities, gorgeous countryside. Which brings me to…
The international symposium on Gender and Love was held this year at the most astonishing place – Sandbjerg Gods, an eighteenth century manor house once owned by Karen Blixen’s sister, Ellen Dahl, and donated by her to Aarhus University.
It’s a glorious spot, nestled between fjord (complete with porpoises) and lake. Not only did I get to spend a few days listening to brainy people talk about fascinating things, I was also asked to read from Goddess on the first night, after dinner, in a parlour where the Dinesen sisters once read and talked.
Then last week, back in Melbourne, we held our ReMaking the Past symposium, something I’ve been working on for ages with my lovely colleagues at La Trobe.
Also last week, I heard that 1917: Australia’s Great War is shortlisted for the Asher Award, for a book with an anti-war theme, written by a woman. The award is in honour of Helen Asher, author of Tilly’s Fortunes . It’s such a thrill, and I’m in esteemed company on the shortlist. My thanks to the judges and to the Australian Society of Authors – and of course to Scholastic for all its support.
I’ve spent some time polishing the manuscript for the first volume in The Firewatcher Chronicles, and sent it off to Scholastic, who are already thinking about cover designs. No rest for the wicked.
I’ve finished the first draft of Grace, but it needs a fair bit more work, so I reckon it will be done by the end of the year.
Finished a couple of short stories – one for an anthology of own voices Oz YA.
And next I’m onto more in my series of bushranging amateur detective outlaws. And the second volume of Firewatcher Chronicles.
And honestly, an academic conference paper can take months, sometimes, and other times just a week or so. I wish I knew which was which, before I started – in fact, before I volunteer to do them in the first place!
I must admit, I’ve been reading mostly research-related books lately, either for conference papers and academic articles (everything from *snore* The Well of Loneliness and My Love Must Wait to Five Go Off to Camp), books for The Firewatcher Chronicles from endless volumes on Boudica to Vera Brittain’s memoir of the Blitz, England’s Hour, or background for other projects on bushrangers and suffragettes and pirates.
Fiction that I’ve enjoyed lately includes:
- Amie Kaufman and Jay Kristoff’s Illuminae Files series
- Rachel Leary’s Bridget Crack
- Robyn Cadwallader’s The Anchoress
- Kate Forsyth’s Beauty in Thorns
- Sulari Gentill’s Give the Devil His Due
- Meg and Tom Keneally’s The Soldier’s Curse.
But I picked up the first book in Elizabeth Jane Howard’s Cazalet Chronicles , just to find a scene to quote in a paper, and accidentally got sucked straight back in. I’d forgotten. Or rather, the first time I read them, I was so drawn in by characters, place and plot that re-reading them now is like a different experience altogether. Such beautiful writing. Now I can’t stop. But what a gorgeous problem to have.
So between all of that, and finally getting to write a Viking book (surely destiny!), I feel both extremely busy and very lucky.